{"id":25323,"date":"2020-09-26T21:07:02","date_gmt":"2020-09-27T02:07:02","guid":{"rendered":"https:\/\/giff.mx\/?p=25323"},"modified":"2020-09-26T21:09:50","modified_gmt":"2020-09-27T02:09:50","slug":"el-giff-anuncia-las-peliculas-ganadoras-de-su-edicion-23","status":"publish","type":"post","link":"https:\/\/giff.mx\/en\/el-giff-anuncia-las-peliculas-ganadoras-de-su-edicion-23\/","title":{"rendered":"EL GIFF ANUNCIA LAS PEL\u00cdCULAS GANADORAS DE SU EDICI\u00d3N 23"},"content":{"rendered":"
\u25cf <\/span>En una ceremonia realizada en el <\/span><\/span>Autocinema<\/span><\/span> ubicado en Parque Guanajuat<\/span><\/span>o Bicentenario, se anunciaron <\/span><\/span>las pel\u00edculas ganadoras de este a\u00f1o en el Festival Internacional de Cine Guanajuato.<\/span><\/span><\/div>\n
\u25cf <\/span>Los <\/span><\/span>l<\/span><\/span>obos<\/span><\/span> se llev\u00f3 el premio a Mejor<\/span><\/span>Largometraje de Ficci\u00f3n M\u00e9xico y <\/span><\/span>Las flores de noche<\/span><\/span> gan\u00f3 <\/span><\/span>Mejor Largometraje Documental Mexicano.<\/span><\/span><\/div>\n
\u25cf <\/span>La producci\u00f3n japonesa <\/span><\/span>Ainu <\/span><\/span>Mosir<\/span><\/span>triunf\u00f3 como Mejor Largometraje de Ficci\u00f3n Internacional.<\/span><\/span><\/div>\n

\u00a0 \u00a0 <\/span><\/span><\/p>\n

Silao, Guanajuato<\/span><\/span>, <\/span><\/span>S\u00e1bado<\/span><\/span> 26 de Septiembre <\/span><\/span>2020<\/span><\/span>.<\/span><\/span> Despu\u00e9s de <\/span><\/span>nueve d\u00edas de actividades en diversas plataformas, funciones en l\u00ednea y funciones presenciales en <\/span><\/span>autocinemas<\/span><\/span>, <\/span><\/span>aquacinema<\/span><\/span> y salas de cine en dos diferentes sedes, la edici\u00f3n 23 del <\/span><\/span>Festival Internacional de Cine Guanajuato (GIFF)<\/span><\/span> anunci\u00f3 en un evento muy especial a los largometrajes y cortometrajes que en esta ocasi\u00f3n se han alzado con distintos premios.<\/span><\/span><\/p>\n

\"\"<\/p>\n

Este a\u00f1o, el <\/span><\/span>GIFF<\/span><\/span> cont\u00f3 con 170 pel\u00edculas, de las cuales se presentaron 137 <\/span><\/span>en su plataforma online,<\/span><\/span> 20 <\/span><\/span>en dos <\/span><\/span>autocinemas<\/span><\/span>,<\/span><\/span>12 en <\/span><\/span>AquaCinema<\/span><\/span> y 22 <\/span><\/span>en <\/span><\/span>Cinemex<\/span><\/span>. \u00a0Entre la variada selecci\u00f3n f\u00edlmica de este a\u00f1o sobresalieron las cintas mexicanas <\/span><\/span>Los lobos<\/span><\/span>, de <\/span><\/span>Samuel <\/span><\/span>Kishi<\/span><\/span> Leopo<\/span><\/span>, que fue la funci\u00f3n inaugural del festival<\/span><\/span> en Irapuato y ha ganado como Mejor Largometraje de Ficci\u00f3n M\u00e9xico<\/span><\/span>; y <\/span><\/span>Las flores de la noche<\/span><\/span>, de <\/span><\/span>Omar Robles<\/span><\/span> y <\/span><\/span>Eduardo Esquivel<\/span><\/span>, que gan\u00f3 como <\/span><\/span>Mejor Largometraje <\/span><\/span>Documental Mexicano.<\/span><\/span><\/p>\n

\"\"\"\"<\/p>\n

En la parte internacional de la Selecci\u00f3n Oficial<\/span><\/span>, el filme japon\u00e9s <\/span><\/span>Ainu <\/span><\/span>Mosir<\/span><\/span>, de <\/span><\/span>Takeshi<\/span><\/span> Fukunaga<\/span><\/span>, gan\u00f3 como Mejor Largometraje de Ficci\u00f3n Internacional. Mientras que la producci\u00f3n canadiense <\/span><\/span>Landfall<\/span><\/span>, de <\/span><\/span>Cecilia <\/span><\/span>Aldarondo<\/span><\/span>, triunf\u00f3 como <\/span><\/span>Mejor Largometraje Documental Internacional<\/span><\/span>.<\/span><\/span><\/p>\n

 <\/p>\n

A continuaci\u00f3n les compartimos la lista completa de pel\u00edculas ganadoras del <\/span><\/span>GIFF 2020<\/span><\/span>.<\/span><\/span><\/p>\n

-Mejor Largometraje de Ficci\u00f3n Internacional <\/span><\/span>Ainu <\/span><\/span>Mosir<\/span><\/span>, Dir. <\/span><\/span>Takeshi<\/span><\/span> Fukunaga<\/span><\/span>. Jap\u00f3n, Estados Unidos, China.<\/span><\/span><\/p>\n

-Menci\u00f3n <\/span><\/span>a la a<\/span><\/span>ctriz <\/span><\/span>Mary <\/span><\/span>Twala<\/span><\/span> Mhlongo<\/span><\/span> en <\/span><\/span>Largometraje de<\/span><\/span>Ficci\u00f3n Internacional <\/span><\/span>This<\/span><\/span> is<\/span><\/span> not<\/span><\/span> a <\/span><\/span>Burial<\/span><\/span>, <\/span><\/span>It’s<\/span><\/span> a <\/span><\/span>Resurrection<\/span><\/span>,<\/span><\/span>Dir. <\/span><\/span>Lemohang<\/span><\/span> Jeremiah<\/span><\/span> Mosese<\/span><\/span>. Lesoto, Sud\u00e1frica, Italia <\/span><\/span><\/p>\n

-Menci\u00f3n <\/span><\/span>por dise\u00f1o visual en <\/span><\/span>Largome<\/span><\/span>traje de Ficci\u00f3n Internacional <\/span><\/span>You<\/span><\/span> will<\/span><\/span> Die at <\/span><\/span>Twenty<\/span><\/span>, <\/span><\/span>Dir. <\/span><\/span>Amjad<\/span><\/span> Abu <\/span><\/span>Alala<\/span><\/span>. Sud\u00e1n, Francia, Egipto, Noruega, Alemania, Qatar.<\/span><\/span><\/p>\n

-Mejor Largometraje de Ficci\u00f3n M\u00e9xico <\/span><\/span>\u200bLos Lobos<\/span><\/span>, Dir. Samuel <\/span><\/span>Kishi<\/span><\/span> Leopo<\/span><\/span>. M\u00e9xico.<\/span><\/span><\/p>\n

-Menci\u00f3n Largometraje de Ficci\u00f3n M\u00e9xico <\/span><\/span>ColoZio<\/span><\/span>, Dir. Artemio Narro. M\u00e9xico.<\/span><\/span><\/p>\n

-Mejor Largometraje Documental Mexicano <\/span><\/span>Las flores de la noche<\/span><\/span>,<\/span><\/span> Dir. <\/span><\/span>Omar Robles y Eduardo Esquivel. \u00a0M\u00e9xico.<\/span><\/span><\/p>\n

-Menci\u00f3n Largometraje Documental Mexicano <\/span><\/span>La Mami<\/span><\/span>,<\/span><\/span> Dir. Laura Herrero Garv\u00edn. M\u00e9xico, Espa\u00f1a.<\/span><\/span><\/p>\n

-Premio de la Prensa <\/span><\/span>ColoZio<\/span><\/span>, Dir. Artemio Narro. M\u00e9xico.<\/span><\/span><\/p>\n

–<\/span><\/span>Mejor Cortomet<\/span><\/span>raje de Ficci\u00f3n Internacional <\/span><\/span>Atk\u016brimas<\/span><\/span>(<\/span><\/span>Dummy<\/span><\/span>)<\/span><\/span>, Dir. <\/span><\/span>Laurynas<\/span><\/span> Bareisa<\/span><\/span>. <\/span><\/span>Lituania<\/span><\/span>.<\/span><\/span><\/p>\n

–<\/span><\/span>Mejo<\/span><\/span>r Cortometraje Mexicano<\/span><\/span>\u200bCarmina<\/span><\/span>,<\/span><\/span> Dir. <\/span><\/span>Luis Flores R\u00e1bago<\/span><\/span>\u200b. <\/span><\/span>M\u00e9xico<\/span><\/span>.<\/span><\/span><\/p>\n

–<\/span><\/span>Mejor C<\/span><\/span>ortometraje Documental Mexicano <\/span><\/span>Expiatorio<\/span><\/span>, Dir. Manuel Acu\u00f1a. <\/span><\/span>M\u00e9xico, Cuba<\/span><\/span>.<\/span><\/span><\/p>\n

–<\/span><\/span>Mejor Largometraje Documental Internacional<\/span><\/span>\u200bLandfall<\/span><\/span>, Dir. Cecilia <\/span><\/span>Aldarondo<\/span><\/span>.<\/span><\/span> Puerto Rico<\/span><\/span>.<\/span><\/span><\/p>\n

–<\/span><\/span>Mejor Cortometraje Documental Internacio<\/span><\/span>nal<\/span><\/span>\u200bImperdonable<\/span><\/span>, Dir. <\/span><\/span>Marl\u00e9n<\/span><\/span> Vi\u00f1ayo<\/span><\/span>. <\/span><\/span>El Salvador<\/span><\/span>.<\/span><\/span><\/p>\n

–<\/span><\/span>Menci\u00f3n Cortom<\/span><\/span>etraje Documental Internacional <\/span><\/span>Douma<\/span><\/span>Underground<\/span><\/span>\u200b, Dir. Tim <\/span><\/span>Alsiofi<\/span><\/span>. <\/span><\/span>L\u00edbano<\/span><\/span>.<\/span><\/span><\/p>\n

–<\/span><\/span>Me<\/span><\/span>jor Cortometraje Experimental <\/span><\/span>Zombies<\/span><\/span>, Dir. BALOJI. <\/span><\/span>Rep\u00fablica de El Congo<\/span><\/span>.<\/span><\/span><\/p>\n

–<\/span><\/span>Me<\/span><\/span>nci\u00f3n Cortometraje Experimental <\/span><\/span>Serial <\/span><\/span>Parallels<\/span><\/span>, Dir. Max <\/span><\/span>Hattler<\/span><\/span>. <\/span><\/span>Hong Kong, Alemania<\/span><\/span>.<\/span><\/span><\/p>\n

–<\/span><\/span>Mejor Cortometra<\/span><\/span>je de Animaci\u00f3n <\/span><\/span>N\u00e5got<\/span><\/span> att<\/span><\/span>minnas<\/span><\/span>\u00a0(<\/span><\/span>Something<\/span><\/span> to <\/span><\/span>Remember<\/span><\/span>)<\/span><\/span>, Dir. <\/span><\/span>Niki <\/span><\/span>Lindroth<\/span><\/span> von <\/span><\/span>Bahr<\/span><\/span>. <\/span><\/span>Suecia<\/span><\/span>.<\/span><\/span><\/p>\n

–<\/span><\/span>Me<\/span><\/span>nci\u00f3n Cortometraje de Animaci\u00f3n <\/span><\/span>100,000 Acres of Pine<\/span><\/span>, Dir. Jennifer Alice Wright. <\/span><\/span>Dinamarca<\/span><\/span>.<\/span><\/span><\/p>\n

–<\/span><\/span>Mejor Corto<\/span><\/span>metraje Guanajuatense <\/span><\/span>La Frontera<\/span><\/span>, Dir. Erika <\/span><\/span>Oregel<\/span><\/span>. <\/span><\/span>M\u00e9xico<\/span><\/span>.<\/span><\/span><\/p>\n

-Mejor Narrativa en Realidad Virtual <\/span><\/span>Amends<\/span><\/span>, <\/span><\/span>Mikkel<\/span><\/span> Battefeld<\/span><\/span>, Dinamarca.<\/span><\/span><\/p>\n

-Mejor Concepto Visual en Realidad Virtual <\/span><\/span>1st <\/span><\/span>Step<\/span><\/span>, <\/span><\/span>J\u00f6rg<\/span><\/span>Courtial<\/span><\/span>, Alemania.<\/span><\/span><\/p>\n

-Menci\u00f3n Especial en R<\/span><\/span><\/a>ealidad Virtual <\/span><\/span>Los guardianes<\/span><\/span>, <\/span><\/span>Hugh<\/span><\/span>Hou<\/span><\/span>, Costa Rica.<\/span><\/span>\u200b\u200b<\/p>\n

–<\/span><\/span>Premio SIGNIS al Mejor Cor<\/span><\/span>tometraje Ficci\u00f3n Internacional <\/span><\/span>White <\/span><\/span>Eye<\/span><\/span>, Dir. <\/span><\/span>Tomer<\/span><\/span> Shushan<\/span><\/span>. <\/span><\/span>Israel<\/span><\/span>.<\/span><\/span><\/p>\n

–<\/span><\/span>Menci\u00f3n SIGNIS a Cor<\/span><\/span>tometraje Ficci\u00f3n Internacional <\/span><\/span>Poslednja<\/span><\/span> slika<\/span><\/span> o <\/span><\/span>ocu<\/span><\/span> (<\/span><\/span>The<\/span><\/span> last<\/span><\/span> image<\/span><\/span> of <\/span><\/span>father<\/span><\/span>)<\/span><\/span>, Dir. Stefan <\/span><\/span>Djordjevic<\/span><\/span>. <\/span><\/span>Serbia<\/span><\/span>.<\/span><\/span><\/p>\n

–<\/span><\/span>Vimeo<\/span><\/span> Staff Pick<\/span><\/span> Award <\/span><\/span>Agua<\/span><\/span>, Dir. <\/span><\/span>Sergio <\/span><\/span>Zerme\u00f1o<\/span><\/span>. <\/span><\/span>M\u00e9xico<\/span><\/span>.<\/span><\/span>\u200b\u200b\u200b<\/p>\n

-Mejor Guion de Largometraje <\/span><\/span>Ya se quiere venir <\/span><\/span>la noche<\/span><\/span>, <\/span><\/span>Gabriel Mari\u00f1o Garza<\/span><\/span>.<\/span><\/span>\u200b<\/p>\n

–<\/span><\/span>Mejor Guion de Cortometraje <\/span><\/span>Los <\/span><\/span>o\u00eddos no tienen parpados<\/span><\/span>, <\/span><\/span>Alejandro \u00c1lvarez del Castillo<\/span><\/span>.<\/span><\/span>\u200b<\/p>\n

–<\/span><\/span>Menci\u00f3n Guion de Largometraje <\/span><\/span>Amor del malo<\/span><\/span>,<\/span><\/span> Jaime Mu\u00f1oz Baena <\/span><\/span>y <\/span><\/span>Gonz\u00e1lez Montesinos<\/span><\/span>.<\/span><\/span>\u200b<\/p>\n

–<\/span><\/span>Ya se quiere venir la noche<\/span><\/span>, de Gabriel Mari\u00f1o Garza, se lleva el Premio LCI Seguros: Membres\u00eda de un descuento del 50% sobre el costo de adquisici\u00f3n de los seguros de filmaci\u00f3n. <\/span><\/span><\/p>\n

–<\/span><\/span>Escrito en la piel<\/span><\/span>, de Patricia Carrillo, se lleva el Premio <\/span><\/span>Chesmistry<\/span><\/span>: <\/span><\/span>Postpr<\/span><\/span>oduccion<\/span><\/span> de imagen <\/span><\/span>para el <\/span><\/span>teaser<\/span><\/span>.<\/span><\/span><\/p>\n

\u00a1M\u00e1s cine, por favor!<\/span><\/span><\/p>\n

www.giff.mx<\/span><\/span><\/p>\n

@giffmx<\/span><\/span><\/p>\n

#GIFF2020<\/span><\/span><\/p>","protected":false},"excerpt":{"rendered":"

\u25cf En una ceremonia realizada en el Autocinema ubicado en Parque Guanajuato Bicentenario, se anunciaron las pel\u00edculas ganadoras de este a\u00f1o en el Festival Internacional de Cine Guanajuato. \u25cf Los lobos se llev\u00f3 el premio a MejorLargometraje de Ficci\u00f3n M\u00e9xico y Las flores de noche gan\u00f3 Mejor Largometraje Documental Mexicano. \u25cf La producci\u00f3n japonesa Ainu […]<\/p>","protected":false},"author":4,"featured_media":24832,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[789,564],"tags":[],"class_list":["post-25323","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-boletin","category-noticias"],"_links":{"self":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/posts\/25323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/comments?post=25323"}],"version-history":[{"count":3,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/posts\/25323\/revisions"}],"predecessor-version":[{"id":25327,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/posts\/25323\/revisions\/25327"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/media\/24832"}],"wp:attachment":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/media?parent=25323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/categories?post=25323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/tags?post=25323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}