{"id":19768,"date":"2018-07-21T07:40:31","date_gmt":"2018-07-21T07:40:31","guid":{"rendered":"http:\/\/giff.mx\/?p=19768"},"modified":"2018-07-21T07:40:31","modified_gmt":"2018-07-21T07:40:31","slug":"dont-miss-saturday-21th","status":"publish","type":"post","link":"https:\/\/giff.mx\/en\/dont-miss-saturday-21th\/","title":{"rendered":"Don\u00b4t miss: Saturday 21th"},"content":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3><b><i>Ghassan Salhab Tribute Screening <\/i><\/b><\/h3>\n<p><b><i>TERRA INCOGNITA<\/i><\/b><\/p>\n<p><b><i>Time: <\/i><\/b><span style=\"font-weight: 400;\">16:00<\/span><\/p>\n<p><b><i>Location: <\/i><\/b><span style=\"font-weight: 400;\">Cinemex La Luci\u00e9rnaga.<\/span><\/p>\n<p><b>Text by: Laila Hotait<\/b><\/p>\n<p><span style=\"font-weight: 400;\">One of Lebanese filmmaker and GIFF tributee Ghassan Salhab&#8217;s gifts is the way he portrays landscapes and turns these outdoor spaces into a reflection of his protagonists&#8217; most intimate mood.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Terra Incognita portrays people on the edge at an emotional level and a city, Beirut, that is on the edge at a political, historical, economical and geographical level: at the edge of the sea, about to fall forever, about to sink even, but still afloat. Just like the characters that inhabit the movie; they seem to be on the edge of an abyss, always on their toes, yet never falling in. A tense situation which really helps his character creation and his directing of actors. It&#8217;s a highly recommended film, mostly as a portrait of a country and a city as attractive as Beirut and its people.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3><b><i>Official Selection Mexico<\/i><\/b><\/h3>\n<p><b><i>GOLDEN MALIBU<\/i><\/b><\/p>\n<p><b><i>Time: <\/i><\/b><span style=\"font-weight: 400;\">16:00<\/span><\/p>\n<p><b><i>Location: <\/i><\/b><span style=\"font-weight: 400;\">Centro Cultural \u201cEl Nigromante\u201d (Bellas Artes)<\/span><\/p>\n<p><b><i>Text by<\/i><\/b><span style=\"font-weight: 400;\">: Deusdedit Diez de Sollano<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Golden Malibu<\/span><\/i><span style=\"font-weight: 400;\"> is the night life and drug dealing seen through the eyes of a little girl. And yet it\u2019s not crude about it. It renews well-worn narrative resources to show a sibling relationship that surprises due to its fun and Dynamic side. This relationship, despite what\u2019s happening in the plot, becomes a bond of ambivalent collaboration. Filmmaker Natalia Berm\u00fadez gives the film an unexpected twist that challenges what we usually encounter.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3><b><i>Official Selection M\u00e9xico<\/i><\/b><\/h3>\n<p><b><i>EL \u00daLTIMO ROM\u00c1NTICO<\/i><\/b><\/p>\n<p><b><i>Time: <\/i><\/b><span style=\"font-weight: 400;\">16:00<\/span><\/p>\n<p><b><i>Location: <\/i><\/b><span style=\"font-weight: 400;\">Centro Cultural \u201cEl Nigromante\u201d (Bellas Artes)<\/span><\/p>\n<p><b><i>Text by<\/i><\/b><span style=\"font-weight: 400;\">: Deusdedit Diez de Sollano<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In <\/span><i><span style=\"font-weight: 400;\">El \u00faltimo rom\u00e1ntico<\/span><\/i> <span style=\"font-weight: 400;\">Natalia Garc\u00eda Agraz<\/span> <span style=\"font-weight: 400;\">presents the life of H\u00e9ctor, a simpleton who likes police novels and Works in a half-abandoned bowling alley. His life is based around pleasing the few people that come to this place, but his perspective changes when he sees a new female employee and falls in love while he learns about how awful it is to live there. This is a very entertaining story because Agraz<\/span> <span style=\"font-weight: 400;\">uses H\u00e9ctor\u2019s fascination with telling a story that parallels his life by expressing his dreams and experiences through generic clich\u00e9s, even using a scratched film filter, exaggerating H\u00e9ctor\u2019s fantasies to remind us of how sad his aimless life is.<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3><b><i>Official Selection Animation<\/i><\/b><\/h3>\n<p><b><i>RAYMONDE OR THE VERTICAL ESCAPE<\/i><\/b><\/p>\n<p><b><i>Time: <\/i><\/b><span style=\"font-weight: 400;\">20:00<\/span><\/p>\n<p><b><i>Location: <\/i><\/b><span style=\"font-weight: 400;\">Centro Cultural \u201cEl Nigromante\u201d (Bellas Artes)<\/span><\/p>\n<p><b><i>Text by<\/i><\/b><span style=\"font-weight: 400;\">: Juan Ram\u00f3n Vel\u00e1zquez<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sarah Van den Boom presents this entertaining and moving short film that, just like the old fables, uses animals to explore human circumstances. Raymonde is a bird-woman worn down by the years of living alone and the disappointments therein, cultivating her garden and dealing with the aphids that try to invade her properties. She has tried to remain virtuous, but this has not been enough for her to find love. In the end, weary of her monotonous life, decides to go directly to church and denounce the Virgin Mary for representing the female ideal as sterile, useless and prone to frustrations. Made with a careful stop-motion technique, Raymonde or the Vertical Scape proposes a candid and \u2014we\u2019re grateful for this\u2014 entertaining analysis on the roles that women play in our society.<\/span>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text] Ghassan Salhab Tribute Screening TERRA INCOGNITA Time: 16:00 Location: Cinemex La Luci\u00e9rnaga. Text by: Laila Hotait One of Lebanese filmmaker and GIFF tributee Ghassan Salhab&#8217;s gifts is the way he portrays landscapes and turns these outdoor spaces into a reflection of his protagonists&#8217; most intimate mood. Terra Incognita portrays people on the edge [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":19767,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[640],"tags":[],"class_list":["post-19768","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/posts\/19768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/comments?post=19768"}],"version-history":[{"count":2,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/posts\/19768\/revisions"}],"predecessor-version":[{"id":19770,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/posts\/19768\/revisions\/19770"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/media\/19767"}],"wp:attachment":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/media?parent=19768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/categories?post=19768"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/tags?post=19768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}