[vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n
Official Selection: Documentary Feature Mexico \u2013 Opening Film<\/b><\/p>\n
Dir. Jos\u00e9 Pablo Estrada Torrescano<\/b><\/p>\n
The Richter Scale says: <\/b>We all wish we had the best possible relationship with all our relatives, but things are typically more complicated. Our family members are supposed to be the people who are closest to us, which is why we resent them when they don\u2019t offer that closeness we wish for and when we find out about things that in our minds we should have known all along. A complicated relationship is one we all eventually want to put into perspective and a way of doing that is through cinema. Filmmaker Jos\u00e9 Pablo Estrada Torrescano, grandson of Mar\u00eda del Carmen Torrescano (whom he always called \u201cMamacita\u201d) promised his Mamacita he would one day make a movie about her. Now that he has been studying abroad for so long, he is ready to make this film that will allow him to explore the life of a woman he always felt should have been there more for him. The first thing we see is some old footage of Jos\u00e9 Pablo as a child giving a speech at one of his Mamacita\u2019s events. He says it\u2019s the only video of him and Mamacita together and it\u2019s the only time she\u2019s invited him to speak at one of her events. She didn\u2019t pay much attention to him until he began to study cinema and she decided she wanted a film made about her. <\/span><\/p>\n Jos\u00e9 Pablo establishes exactly what this film will be about with that first scene. It\u2019s going to be about him as much as it is about her. It won\u2019t just be the story of his grandmother, but about how he comes to grips with who she is. Aesthetically, the film is like a home movie, very warm and with a sense of spontaneity, but with enough discipline to feel like it has an actual structure. The film is made up of interviews that Jos\u00e9 Pablo conducts to his aunts, the maids of the house and the people who work at the beauty clinic she founded. Th structure includes aspects of a traditional documentary, like the interviews and the tour into the life of this 95-year-old woman, but it turns into something more interesting once the filmmaker brings his own side of the story into it and with that contextualizes a lot of what he\u2019s exploring, including his Mamacita\u2019s relationship with her own parents and grandparents (and the fact that she was conceived under very delicate circumstances) as well as the loss of her daughter, Jos\u00e9 Pablo\u2019s mother. This is how he understands why this woman keeps her distance from the world. It almost becomes a reference to Tim Burton\u2019s film <\/span>Big Fish <\/span><\/i>and this idea of understanding someone who was very distant.<\/span><\/p>\n Through the documentary, we get to know this very proud woman who is very sure that everything she says is right and that her work has benefitted everyone. We spend plenty of time at her beauty clinic, where she makes women feel better about their bodies. “The body is the temple of the spirit, keeping it young, beautiful and healthy is a human obligation\u201d is what Mamacita always says (that quote is on the clinic\u2019s website), and that gives us an idea of this woman\u2019s values and what she wants to give to the world. Cinema cannot be more personal than this and it\u2019s a film in which Jos\u00e9 Pablo Estrada Torrescano does what every artist should do with his work and something most human beings are afraid of doing: being able to be entirely vulnerable.<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n Official Selection: International Feature<\/b><\/p>\n Dir. Santiago Caicedo<\/b><\/p>\n The Richter Scale says<\/b>: Every artist uses a medium to express themselves in some way. In the case of Paola Gaviria, an artist from Ecuador, it\u2019s through a graphic novel in which she uses black-and-white images (very aware of the lines in her characters) to portray her life as we\u2019re sure she lived it: quite surreally. Paola wrote a series of graphic novels that detail different parts of her life and now the first of those graphic novels has been adapted for the screen by writer Enrique Lozano and director Santiago Caicedo, using the designs that Paola made to create one of the most irreverent animated films that has been made in the last few years (even though the narrative might remind someone of Persepolis, in which a woman is also expressing her life through a graphic novel). Tropical Virus begins with illustrations of a city that lead to a couple making love and then the trip that the sperm makes to the egg it fertilizes: this egg resulted in Paola, our protagonist, the youngest of three girls born to a father who always wanted a boy and a mother who by this point had had her tubes tied, which is why the doctors would initially say that this baby was just a \u201ctropical virus\u201d <\/span><\/p>\n The film explores Paola\u2019s life from birth to leaving home to live on her own for the first time, and as such, it\u2019s an episodic narrative. Paola tells us of her parents, her two older sisters, Claudia (with whom she always felt a certain distance for being from a different generation) and Paty (who initially loathed her, but then practically raised her). There have been plenty of films with similar stories, but the animation adds a new dimension which allows the film to explore these characters\u2019 feelings in more exaggerated ways and to present certain events with a somewhat twisted sense of humor. The way babies are born in this world is particularly clever, since they basically pop out through an explosion of blood and the doctor catches them (this image is very funny when you see it= and there\u2019s also a scene in which Hilda, Paola\u2019s mother, gives a speech about how difficult it has been to be a mother and wife in this family and we see the walls exploding, so to speak, along with her. Another neat trick is Paola\u2019s sudden voice change when she decides she is no longer a child. Even though the animation is in black-and-white, the use of shadows is very meticulous, painting a character\u2019s face black when it\u2019s in shadow and white when it\u2019s lit up. Details like this make sure the story is grounded somehow. \u00a0<\/span><\/p>\n The film does become tedious at times, which does tend to happen when a film has this distinct a style and it\u2019s telling an episodic story, but Paola is always a striking and likable character and she\u2019s surrounded with characters of such idiosyncratic designs and distinct personalities that they captivate the viewer even through those lulls. Paty, the middle sister, is a particularly fascinating character, a woman that first lost her place in the family as the baby and wound up having to be a mother figure to this baby sister, and it\u2019s through her that we get a sense of warmth throughout. Even though GIFF has had an Official Selection for Animated Short Films for a long time, it\u2019s rare having an animated feature-length film in the Official Selection and it brings a different flavor to this year\u2019s festivities. <\/span>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>","protected":false},"excerpt":{"rendered":" [vc_row][vc_column width=”1\/2″][vc_column_text] Mamacita Official Selection: Documentary Feature Mexico \u2013 Opening Film Dir. Jos\u00e9 Pablo Estrada Torrescano The Richter Scale says: We all wish we had the best possible relationship with all our relatives, but things are typically more complicated. Our family members are supposed to be the people who are closest to us, which is […]<\/p>","protected":false},"author":4,"featured_media":19648,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[640],"tags":[],"class_list":["post-19597","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/posts\/19597","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/comments?post=19597"}],"version-history":[{"count":2,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/posts\/19597\/revisions"}],"predecessor-version":[{"id":19599,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/posts\/19597\/revisions\/19599"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/media\/19648"}],"wp:attachment":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/media?parent=19597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/categories?post=19597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/tags?post=19597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Virus Tropical (Tropical Virus)<\/b><\/h3>\n