{"id":17468,"date":"2017-07-30T03:28:57","date_gmt":"2017-07-30T03:28:57","guid":{"rendered":"http:\/\/giff.mx\/?p=17468"},"modified":"2017-08-02T22:50:32","modified_gmt":"2017-08-02T22:50:32","slug":"ganadores-giff-2017","status":"publish","type":"post","link":"https:\/\/giff.mx\/en\/ganadores-giff-2017\/","title":{"rendered":"Ganadores GIFF 2017"},"content":{"rendered":"<p>[vc_row][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;17446&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<ul>\n<li>Sebasti\u00e1n Sep\u00falveda<\/li>\n<li>Jorge Ayala Blanco<\/li>\n<li>Sarah Gadon<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>Decidieron otorgar por unanimidad el siguiente premio:<\/p>\n<p><strong>Mejor Largometraje de Ficci\u00f3n International<\/strong><\/p>\n<p><strong>Sexy Durga<\/strong><\/p>\n<p>Por el aprovechamiento al m\u00e1ximo de escasos elementos para producir un estado de angustia, solidaridad y lucidez en el espectador, en torno a los temas de violencia en contra de los inmigrantes y mujeres, en particular.<\/p>\n<p><em>For the brilliant use of minimal elements to produce a state of anguish, solidarity, and lucidity on the spectator, about the topics of violence against immigrants and women, in particular.<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;17445&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]Inna Payan<\/p>\n<p>Max Zunino<\/p>\n<p>Hayet Benkara<\/p>\n<p>&nbsp;<\/p>\n<p>Decidieron otorgar por unanimidad los siguientes premios:<\/p>\n<p><strong>Mejor Largometraje de Ficci\u00f3n Mexicano<\/strong><\/p>\n<p><strong>Los A\u00f1os Azules<\/strong><\/p>\n<p>Por la sutileza, calidez y cercan\u00eda con que se relaciona con el espectador y por la honestidad de su propuesta.<\/p>\n<p><em>For the subtlety, warmth, and closeness to which it relates with the spectator, and for the honesty of its proposal.<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;17447&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]Alejandra M\u00e1rquez<\/p>\n<p>Harold Torres<\/p>\n<p>Javier Mill\u00e1n<\/p>\n<p>&nbsp;<\/p>\n<p>Decidieron otorgar por unanimidad los siguientes premios:<\/p>\n<p><strong>Mejor Cortometraje Ficci\u00f3n Internacional<\/strong><\/p>\n<p><strong>Welcome Home Allen<\/strong><\/p>\n<p>Por mostrar una tem\u00e1tica intemporal, como es la sinraz\u00f3n de un mundo en guerra incesante, cuyo discurso narrativo sorprende por sus anacronismos.<\/p>\n<p><em>For showing a timeless theme: the arbitrary world in non-stop war, whose narrative speech surprises by its anachronisms.<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;17449&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]Martha Sosa<\/p>\n<p>Bob Moore<\/p>\n<p>Chadi Zeneddine<\/p>\n<p>&nbsp;<\/p>\n<p>Quienes decidieron un\u00e1nimemente otorgar los siguientes premios:<\/p>\n<p><strong>Mejor Largometraje Documental Internacional <\/strong><\/p>\n<p><strong>Last Days in Shibati<\/strong><\/p>\n<p>Con una honestidad sorprendente y un humor auto cr\u00edtico, el realizador construye un oscuro cuento de hadas humano de nuestro mundo contempor\u00e1neo, y nos permite compartir las memorias m\u00e1s vivas y agridulces de los \u00faltimos habitantes de un vecindario a punto de desaparecer.<\/p>\n<p><em>With a striking honesty and self-deprecating humor, the filmmaker crafts a dark human fairytale of our contemporary world and allows us to share the vivid and bittersweet memories of the last inhabitants of a vanishing neighborhood&#8230;<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;17450&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<strong>Mejor Cortometraje Documental Internacional <\/strong><\/p>\n<p><strong>En la Boca<\/strong><\/p>\n<p>La pel\u00edcula es un retrato cinem\u00e1tico e \u00edntimo de una familia extendida; girando alrededor de un joven padre atrapado entre su vida y supervivencia en un lugar decadente con un destino inesperado.<\/p>\n<p><em>The film is a cinematic and intimate portrait of an extended family; revolving around a young father trapped between living and surviving in a place of decay with an unexpected destiny&#8230;<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;17454&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<ul>\n<li>Chris Robinson<\/li>\n<li>Thomas Glassford<\/li>\n<li>Meghan Oretsky<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>Quienes decidieron un\u00e1nimemente otorgar los siguientes premios:<\/p>\n<p><strong>Mejor Cortometraje de Animaci\u00f3n<\/strong>:<\/p>\n<p><strong>The Absence of Eddy Table<\/strong><\/p>\n<p>Una pesadilla dist\u00f3pica exuberante y sensual sobre las tentaciones, emociones y peligros del amor.<\/p>\n<p><em>A lush, sensual dystopian nightmare about the temptations, thrills and dangers of love.<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;17453&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<ul>\n<li><strong>Mejor Cortometraje Experimental<\/strong><strong>Find Fix Finish<\/strong>Una historia extremadamente ponderosa y actual sobre una horrible sobrecogedora realidad en la que estamos viviendo sin saberlo.<em>An extremely powerful and current story about a horrible and overwhelming reality that we are all living today without knowing it.<\/em><\/li>\n<\/ul>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;17448&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<ul>\n<li>Maya Goded<\/li>\n<li>Shane Smith<\/li>\n<li>Kees Brienen<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>Quienes decidieron un\u00e1nimemente otorgar los siguientes premios:<\/p>\n<p><strong>Mejor Cortometraje de Ficci\u00f3n Mexicano <\/strong><\/p>\n<p><strong>Loving South<\/strong><\/p>\n<p>Este cortometraje muestra que las paredes que construimos en nuestros corazones son los m\u00e1s dif\u00edciles de romper. S\u00f3lo comunica con el lenguaje del cine, visualmente tan intenso y sublime, revela nuevas capadas de significado en cada cuadro. Realizaci\u00f3n repleta de habilidad que revela pistas y motivaciones, acerc\u00e1ndonos lentamente a una historia tr\u00e1gica, perversamente rom\u00e1ntica, sutil e inolvidable.<\/p>\n<p><em>LOVING SOUTH shows that the walls we build in our hearts are the hardest ones to tear down. It only communicates with the language of cinema, visually so intense and sublime, it reveals new layers of meaning with every single frame. Skillful filmmaking that reveals clues and motivations, carefully drawing us into a story that is deeply tragic, yet perversely romantic, subtle and unforgettable.<\/em>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;17451&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<ul>\n<li><strong>Mejor Largometraje Documental Mexicano \u00a0<\/strong><strong>Etiqueta No Rigurosa<\/strong>Esta es una importante pel\u00edcula que ilumina el impacto de la intolerancia y la mente estrecha del ciudadano com\u00fan. Pero m\u00e1s importante, es un grito por la justicia y un recordatorio de que la gente s\u00ed tiene el poder. La realizadora captura tantos momentos cruciales en esta historia, llevando a la audiencia a un viaje atrayente, exasperante, y, sobre todo, inspirador.\n<p><em>NO DRESS CODE REQUIRED is a timely and important film that illuminates the impact of bigotry and small-mindedness on everyday citizens. But more importantly, it\u2019s a rallying cry for justice and a reminder that people really do &#8216;have the power&#8217;. The filmmaker captures so many crucial moments in this remarkable story, taking the audience on a journey that is compelling, infuriating, and most of all inspiring\u2026<\/em><\/li>\n<\/ul>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;17452&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<ul>\n<li><strong>Mejor Cortometraje Documental Mexicano<\/strong><strong>Nos Faltan<\/strong>Nos Faltan es una pel\u00edcula que logra combinar de una forma maravillosa el arte del cine con el activismo, un angustioso tributo a los que est\u00e1n perdidos, y una alerta a que la resiliencia de los que a\u00fan quedan jam\u00e1s disminuir\u00e1.\n<p><em>MISSING is a film that manages to combine in a most wonderful way, the art of cinema with activism, an anguished tribute to those who are missing, and a warning that the resilience of those who remain will never be diminished.<\/em><\/li>\n<\/ul>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;17456&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<ul>\n<li>\n<ul>\n<li>Luis Garcia Orso<\/li>\n<li>Alberto Ramos Ruiz<\/li>\n<li>Hugo Castro<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>Quienes decidieron un\u00e1nimemente otorgar los siguientes premios:<\/p>\n<p><strong>Premio SIGNIS al Mejor Cortometraje Ficci\u00f3n Internacional<\/strong><\/p>\n<p><strong>Written Unwritten<\/strong><\/p>\n<p>Una familia dividida, condenada por su raza y estatus a la marginaci\u00f3n, es capaz de sobreponerse a los conflictos que la desgarra, en nombre de una humanidad m\u00e1s profunda y esencial, soberbiamente escrita, y actuada con convicci\u00f3n y autenticidad cuasi documental.<\/p>\n<p><em>A divided family, condemned by their race and status, is capable of overcoming the conflicts that tear them, in name of a more profound and essential humanity, superbly written, acted with conviction and almost-documentary authenticity.<\/em><\/li>\n<\/ul>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;17455&#8243; img_size=&#8221;full&#8221;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<ul>\n<li>\n<ul>\n<li><strong>Premio SIGNIS al Mejor Cortometraje Guanajuato<\/strong><strong>Los \u00c1rboles No Dejan Ver el Bosque<\/strong>\n<p>Con admirable minimalismo documental, donde los testimonios alternan con toques de exquisita poes\u00eda, vemos el empoderamiento de una comunidad campesina que hace frente a la violencia irracional y destructora, sembrando vida.<\/p>\n<p><em>With admirable documental minimalism, where testimonies alternate with touches of exquisite poetry, we see the empowerment of a community in the countryside that faces irrational and destructive violence, sowing life.<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>","protected":false},"excerpt":{"rendered":"<p>Galardonados 2017<\/p>","protected":false},"author":4,"featured_media":17444,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[564],"tags":[],"class_list":["post-17468","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias"],"_links":{"self":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/posts\/17468","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/comments?post=17468"}],"version-history":[{"count":5,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/posts\/17468\/revisions"}],"predecessor-version":[{"id":17526,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/posts\/17468\/revisions\/17526"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/media\/17444"}],"wp:attachment":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/media?parent=17468"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/categories?post=17468"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/tags?post=17468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}