<\/p>\n
Best \u00d3pera Prima<\/strong> Special Mention \u00d3pera Prima<\/strong> Best Short Fiction Film<\/strong> Best Short Fiction Video<\/strong> Special Mentions Short Fiction<\/strong> The same old story<\/em> by Jos\u00e9 Luis Montesinos Special Mention Long Documentary<\/strong> Hendrick Dusollier\u2019s Babel <\/em>is a visual feast — chosen for its extraordinary scenic design, superbly stunning cinematography, and subtle lighting. The attention to detail was breathtaking in his masterpiece.<\/p>\n Esterhazy <\/em>was chosen for its ground-breaking claymation incorporating both 2d and 3d animation techniques, stunning color, lighting schemes and incredible attention to detail. Isabela Plucinska\u2019s excellent direction took us into this new world during an important time in history through believable performances by a wide array of characters \u2013 and they were clay!<\/p>\n Best Mexican Animation<\/strong> Special Mentions Short Animation<\/strong> Videogioco <\/em>by Donato Sansone Best Experimental Short<\/strong> Special Mentions Experimental Short<\/strong> The Polish Language<\/em> by Alice Lyons, Orla MacHardy Best Mexican Short Film<\/strong> Best Mexican Long Documentary<\/strong> Special Mention Guanajuato Short<\/strong> Special Mentionl SIGNIS<\/strong> WINNERS 9th NATIONAL SCREENWRITING COMPETITION<\/strong><\/p>\n First Place Feature Film<\/strong> First Place Short Film<\/strong> II Collegiate Production Rally<\/strong> Special mention<\/strong> Audience Award<\/strong> Student Documentary Competition \u201cIdentity and belonging\u201d<\/strong><\/p>\n Best Student Documentary:<\/strong> 2nd place Student Documentary:<\/strong> 3rd place Student Documentary:<\/strong> <\/p>\n <\/p>\n Best \u00d3pera Prima<\/strong> <\/p>\n Special Mention \u00d3pera Prima<\/strong> <\/p>\n Best Short Fiction Film<\/strong> <\/p>\n Best Short Fiction Video<\/strong> <\/p>\n Special Mentions Short Fiction<\/strong> <\/p>\n The same old story<\/em> by Jos\u00e9 Luis Montesinos <\/p>\n Special Mention Long Documentary<\/strong> Hendrick Dusollier\u2019s Babel <\/em>is a visual feast — chosen for its extraordinary scenic design, superbly stunning cinematography, and subtle lighting. The attention to detail was breathtaking in his masterpiece.<\/p>\n <\/p>\n Esterhazy <\/em>was chosen for its ground-breaking claymation incorporating both 2d and 3d animation techniques, stunning color, lighting schemes and incredible attention to detail. Isabela Plucinska\u2019s excellent direction took us into this new world during an important time in history through believable performances by a wide array of characters \u2013 and they were clay!<\/p>\n <\/p>\n Best Mexican Animation<\/strong> <\/p>\n Special Mentions Short Animation<\/strong><\/p>\n Angry Man<\/em> by Anita Killi <\/p>\n Videogioco <\/em>by Donato Sansone <\/p>\n Best Experimental Short<\/strong> <\/p>\n Special Mentions Experimental Short<\/strong> <\/p>\n The Polish Language<\/em> by Alice Lyons, Orla MacHardy <\/p>\n Best Mexican Short Film<\/strong> <\/p>\n Best Mexican Long Documentary<\/strong> <\/p>\n Special Mention Guanajuato Short<\/strong> <\/p>\n Special Mentionl SIGNIS<\/strong> <\/p>\n WINNERS 9th NATIONAL SCREENWRITING COMPETITION<\/strong><\/p>\n <\/p>\n First Place Feature Film<\/strong> <\/p>\n First Place Short Film<\/strong> <\/p>\n II Collegiate Production Rally<\/strong> <\/p>\n Special mention<\/strong> <\/p>\n Audience Award<\/strong> <\/p>\n Student Documentary Competition \u201cIdentity and belonging\u201d<\/strong><\/p>\n <\/p>\n Best Student Documentary:<\/strong> <\/p>\n 2nd place Student Documentary:<\/strong> <\/p>\n 3rd place Student Documentary:<\/strong> <\/p>","protected":false},"excerpt":{"rendered":" EXPRESI\u00d3N EN CORTO 2010 AWARDS Best \u00d3pera Prima We are what we are by Jorge Michel Grau The jury unanomously recognizes the aesthetic, technical and production values of this movie which are exceptional for a feature film debut. The extremely risky topic of this film was treated with great seriousness and cinematographic severity. The film`s […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7999","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/pages\/7999","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/comments?post=7999"}],"version-history":[{"count":0,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/pages\/7999\/revisions"}],"wp:attachment":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/media?parent=7999"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nWe are what we are <\/em>by Jorge Michel Grau
\nThe jury unanomously recognizes the aesthetic, technical and production values of this movie which are exceptional for a feature film debut. The extremely risky topic of this film was treated with great seriousness and cinematographic severity. The film`s subtle dramatic development involves and suprises as much as its impecable direction of actors, captivating audiences. The music and silences both express sensibly express the increasing dramatic culmination of events. We congratulate the young director and the Centro de Capacitaci\u00f3n Cinematogr\u00e1fica for supporting a high level proyect.<\/p>\n
\nThe Black Panther<\/em> by Iyari Wertta.
\nThe jury recognizes the values of originality and audacity of the director and the creativity and solidity of the production.<\/p>\n
\nThis is Alaska <\/em>by Gunilla Heilborn, Marten Nilsson.
\nThe irony and humour of how a handful of people who feel the need to find liberation, love and a new lease of life in Alaska is beautifullly shot and refreshingly honest and charming. The images and emotions of the film stays with you long after the film ends.<\/p>\n
\nWhere is Kim Basinger?<\/em> by Edouard Dulac
\nThe film of the adventures of two French men in Buenos Aires is brilliantly scripted, with top notch performances all round, and clever cinematography to bring out the comedy of an otherwise glum subject of dealing with heartbreak and love. A truly entertaining and polished comedy which will leave a smile in our hearts.<\/p>\n
\nDiplomacy <\/em>by Jon Goldman
\nA polished and captivating short film, which through the use of humour portraits the increasing of political tensions. Excelent screenplay and great acting.<\/p>\n
\nA moment of relfection and at the same time comic about the struggle to overcome the downsides of love in order to regain ones ex wife. This personal story set in a public space surprises us for its charm and unexpected ending.
\n
\nBest Short Documentary<\/strong>
\nBathing Micky<\/em> by Frida Kempff
\nThe film offers us, with a Sharp view, a vision of vital elderness far from stereotypes.
\n
\nBest Long Documentary<\/strong>
\nAlias <\/em>by Jens Junker
\nIn Alias we found a film that moves us for its honesty and the courage with which the director invites us to follow his personal search, without any need for affectation.<\/p>\n
\nWorld Champion <\/em>by Moonika Siimets
\nWe want to stress the portrait of a character with grace, energy and admirable vitality.
\n
\nBest Short Animation<\/strong>
\nTied: Babel <\/em>by Hendrick Dusollier, Estherhazy by Isabela Plucinska<\/p>\n
\nXochimilco 1914<\/em> de Esteban Azuela, Mara Soler, Carlos Gamboa, Luis Nu\u00f1ez (Viumasters).<\/p>\n
\nAngry Man<\/em> by Anita Killi
\nWas a close runner up for its strong performances from emotional characters in a sensitive subject matter and is commended for best Character Acting.<\/p>\n
\nMost Innovative Innovation.<\/p>\n
\nStretching <\/em>by Francois Vogel
\nStretching <\/em>is a technical marvel in ground-breaking camera techniques and Stop-Motion animation.<\/p>\n
\nLong Live the New Flesh<\/em> by Nicolas Provost
\nFor redefining editorial transitions<\/p>\n
\nFor most innovative typographic visualization.<\/p>\n
\nFirmes <\/em>by Yordi Cap\u00f3
\nWithout a single Word this film talks about many things, its send of humor, it`s efficiency. Everything very well: direction, cinematography, acting, sound design.
\n
\nBest Mexican Short Documentary<\/strong>
\nLa patrona<\/em> de Lizzette Arg\u00fcello .
\nFor its courage, for talking about generosity, for being emotional.<\/p>\n
\nHavanyork <\/em>by Luciano Larobina
\nFor offering a solution through music.
\n
\nBest Guanajuato Short<\/strong>
\nEl Hada Malvada <\/em>de Eduardo Monroy Dugeli
\nA pleasant sparkle of creativity and talent in a short animated story, by a young director who promises to be surprising us with his forthcoming stories.<\/p>\n
\nDay by day<\/em> by Oscar Miguel Gonz\u00e1lez \u00c1lvarez
\nFor bringing us close to the human mystery of disease and loss, in a direct confession and in the confidence of its protagonists.
\n
\nLondon Film Academy Scholarship<\/strong>
\nAlicia Segovia Ju\u00e1rez, director of Andrea<\/em>
\n
\nWomen in film and television award to best short fiction by a female director<\/strong>
\nAndrea<\/em> by Alicia Segovia Ju\u00e1rez
\nWith skill and the right measure offers an emotional and poetic portrait of a moment.
\n
\nSIGNIS Award<\/strong>
\nDay trip<\/em> by Zoe McIntosh
\nFor showing us the way of a man surpassing the limits of his opressive environment and fidning liberty, narrated with notable reliability. The pleasure in every step of the day, the communion with others in difference and the generosity of sharing.<\/p>\n
\nRosa<\/em> by M\u00f3nica Lairana
\nIntimate portrait, close and domestic, of a woman`s solitude, profoundly touching our own solitude and inviting us to embrace another human being.<\/p>\n
\nDiana Cardozo for La guerra de Manuela Jacovic<\/em><\/p>\n
\nRoberto Vald\u00e9s for Pollo a la Jardinera<\/em>
\n
\nSpecial Mentions<\/strong>
\nKurt Hollander for Alma de Pirata<\/em>
\nOmar Mart\u00ednez for La Luna Le Dio Sangre a las Estrellas<\/em>
\nCelso Garc\u00eda for La Delgada L\u00ednea Amarilla<\/em>
\nAdolfo D\u00e1vila for Tzu Kgnosi, Ni\u00f1o Volador<\/em>
\nJuli\u00e1n Robles for El Eclipse<\/em><\/p>\n
\n
\nJury award<\/strong>
\nVota por Fernando<\/em> by Instituto Tecnol\u00f3gico de Estudios Superiores del Occidente, Guadalajara, Jal.<\/p>\n
\nDe cuando escuchas pasar el tren<\/em> by Universidad del Centro de M\u00e9xico, San Luis Postos\u00ed, S.L.P.<\/p>\n
\nMentiras de Libertad<\/em> by Universidad de Le\u00f3n, San Miguel de Allende, Gto.<\/p>\n
\nMinero de Piedra<\/em> by Christian N\u00e1jera Jim\u00e9nez (Universidad Iberoamericana Le\u00f3n)<\/p>\n
\nCelaya: Memorias de un pueblo<\/em> by Armando Merino and Israel Serrano (Universidad de Celaya)<\/p>\n
\nInsurgente Albino Garcia <\/em>by Javier Pescador Melchor (Universidad Tecnol\u00f3gica del Suroeste de Guanajuato<\/p>\nEXPRESI\u00d3N EN CORTO 2010 AWARDS<\/strong><\/h6>\n
\nWe are what we are <\/em>by Jorge Michel Grau
\nThe jury unanomously recognizes the aesthetic, technical and production values of this movie which are exceptional for a feature film debut. The extremely risky topic of this film was treated with great seriousness and cinematographic severity. The film`s subtle dramatic development involves and suprises as much as its impecable direction of actors, captivating audiences. The music and silences both express sensibly express the increasing dramatic culmination of events. We congratulate the young director and the Centro de Capacitaci\u00f3n Cinematogr\u00e1fica for supporting a high level proyect.<\/p>\n
\nThe Black Panther<\/em> by Iyari Wertta.
\nThe jury recognizes the values of originality and audacity of the director and the creativity and solidity of the production.<\/p>\n
\nThis is Alaska <\/em>by Gunilla Heilborn, Marten Nilsson.
\nThe irony and humour of how a handful of people who feel the need to find liberation, love and a new lease of life in Alaska is beautifullly shot and refreshingly honest and charming. The images and emotions of the film stays with you long after the film ends.<\/p>\n
\nWhere is Kim Basinger?<\/em> by Edouard Dulac
\nThe film of the adventures of two French men in Buenos Aires is brilliantly scripted, with top notch performances all round, and clever cinematography to bring out the comedy of an otherwise glum subject of dealing with heartbreak and love. A truly entertaining and polished comedy which will leave a smile in our hearts.<\/p>\n
\nDiplomacy <\/em>by Jon Goldman
\nA polished and captivating short film, which through the use of humour portraits the increasing of political tensions. Excelent screenplay and great acting.<\/p>\n
\nA moment of relfection and at the same time comic about the struggle to overcome the downsides of love in order to regain ones ex wife. This personal story set in a public space surprises us for its charm and unexpected ending.
\n
\nBest Short Documentary<\/strong>
\nBathing Micky<\/em> by Frida Kempff
\nThe film offers us, with a Sharp view, a vision of vital elderness far from stereotypes.
\n
\nBest Long Documentary<\/strong>
\nAlias <\/em>by Jens Junker
\nIn Alias we found a film that moves us for its honesty and the courage with which the director invites us to follow his personal search, without any need for affectation.<\/p>\n
\nWorld Champion <\/em>by Moonika Siimets
\nWe want to stress the portrait of a character with grace, energy and admirable vitality.
\n
\nBest Short Animation<\/strong>
\nTied: Babel <\/em>by Hendrick Dusollier, Estherhazy<\/em> by Isabela Plucinska<\/p>\n
\nXochimilco 1914<\/em> de Esteban Azuela, Mara Soler, Carlos Gamboa, Luis Nu\u00f1ez (Viumasters).<\/p>\n
\nWas a close runner up for its strong performances from emotional characters in a sensitive subject matter and is commended for best Character Acting.<\/p>\n
\nMost Innovative Innovation.<\/p>\n
\nStretching <\/em>by Francois Vogel
\nStretching <\/em>is a technical marvel in ground-breaking camera techniques and Stop-Motion animation.<\/p>\n
\nLong Live the New Flesh<\/em> by Nicolas Provost
\nFor redefining editorial transitions<\/p>\n
\nFor most innovative typographic visualization.<\/p>\n
\nFirmes <\/em>by Yordi Cap\u00f3
\nWithout a single Word this film talks about many things, its send of humor, it`s efficiency. Everything very well: direction, cinematography, acting, sound design.
\n
\nBest Mexican Short Documentary<\/strong>
\nLa patrona<\/em> de Lizzette Arg\u00fcello .
\nFor its courage, for talking about generosity, for being emotional.<\/p>\n
\nHavanyork <\/em>by Luciano Larobina
\nFor offering a solution through music.
\n
\nBest Guanajuato Short<\/strong>
\nEl Hada Malvada <\/em>de Eduardo Monroy Dugeli
\nA pleasant sparkle of creativity and talent in a short animated story, by a young director who promises to be surprising us with his forthcoming stories.<\/p>\n
\nDay by day<\/em> by Oscar Miguel Gonz\u00e1lez \u00c1lvarez
\nFor bringing us close to the human mystery of disease and loss, in a direct confession and in the confidence of its protagonists.
\n
\nLondon Film Academy Scholarship<\/strong>
\nAlicia Segovia Ju\u00e1rez, director of Andrea<\/em>
\n
\nWomen in film and television award to best short fiction by a female director<\/strong>
\nAndrea<\/em> by Alicia Segovia Ju\u00e1rez
\nWith skill and the right measure offers an emotional and poetic portrait of a moment.
\n
\nSIGNIS Award<\/strong>
\nDay trip<\/em> by Zoe McIntosh
\nFor showing us the way of a man surpassing the limits of his opressive environment and fidning liberty, narrated with notable reliability. The pleasure in every step of the day, the communion with others in difference and the generosity of sharing.<\/p>\n
\nRosa<\/em> by M\u00f3nica Lairana
\nIntimate portrait, close and domestic, of a woman`s solitude, profoundly touching our own solitude and inviting us to embrace another human being.<\/p>\n
\nDiana Cardozo for La guerra de Manuela Jacovic<\/em><\/p>\n
\nRoberto Vald\u00e9s for Pollo a la Jardinera<\/em>
\n
\nSpecial Mentions<\/strong>
\nKurt Hollander for Alma de Pirata<\/em>
\nOmar Mart\u00ednez for La Luna Le Dio Sangre a las Estrellas<\/em>
\nCelso Garc\u00eda for La Delgada L\u00ednea Amarilla<\/em>
\nAdolfo D\u00e1vila for Tzu Kgnosi, Ni\u00f1o Volador<\/em>
\nJuli\u00e1n Robles for El Eclipse<\/em><\/p>\n
\n
\nJury award<\/strong>
\nVota por Fernando<\/em> by Instituto Tecnol\u00f3gico de Estudios Superiores del Occidente, Guadalajara, Jal.<\/p>\n
\nDe cuando escuchas pasar el tren<\/em> by Universidad del Centro de M\u00e9xico, San Luis Postos\u00ed, S.L.P.<\/p>\n
\nMentiras de Libertad<\/em> by Universidad de Le\u00f3n, San Miguel de Allende, Gto.<\/p>\n
\nMinero de Piedra<\/em> by Christian N\u00e1jera Jim\u00e9nez (Universidad Iberoamericana Le\u00f3n)<\/p>\n
\nCelaya: Memorias de un pueblo<\/em> by Armando Merino and Israel Serrano (Universidad de Celaya)<\/p>\n
\nInsurgente Albino Garcia <\/em>by Javier Pescador Melchor (Universidad Tecnol\u00f3gica del Suroeste de Guanajuato<\/p>\n