<\/p>\n
Best International debut Feature<\/strong> Special Jury Mention International debut Feature<\/strong> Special Mention for Outstanding Performance<\/strong> Best Mexican debut Feature<\/strong> Special Mention: Best Ensemble Cast <\/strong> Newcomer Acting Award <\/strong> Best Short Film Fiction International (Oscar Qualifying)<\/strong> Special mention Short Film Fiction<\/strong> Mejor Cortometraje Mexicano<\/strong> Best International Long Documentary<\/strong> Best International Short Documentary<\/strong> Special Mention Short Documentary<\/strong> Best Mexican Documentary<\/strong> Best Experimental Short Film<\/strong> Special Mention Experimental Short Film<\/strong> Best Short Animation (Oscar Qualifying)<\/strong> Special Mention Short Animation<\/strong> Special Mention Short Animation<\/strong> WIF Award for Best Short Fiction by a Female Director<\/strong> SIGNIS Award to Best International Short Fiction<\/strong> Special Mention SIGNIS<\/strong> Press Award<\/strong> Best Guanajuato Film<\/strong> Jury Award<\/strong> Audience Award<\/strong> Jury Award <\/strong> Special Jury Mention<\/strong> Premio del P\u00fablico<\/strong> Feature Screenplay Awards<\/strong> Short Screenplay Award<\/strong> 1st Place<\/strong> 2nd Place<\/strong> 3rd Place<\/strong> <\/p>\n Best International debut Feature<\/strong> <\/p>\n Special Jury Mention International debut Feature<\/strong> <\/p>\n Special Mention for Outstanding Performance<\/strong> <\/p>\n Best Mexican debut Feature<\/strong> <\/p>\n Special Mention: Best Ensemble Cast <\/strong> <\/p>\n Newcomer Acting Award <\/strong> <\/p>\n Best Short Film Fiction International (Oscar Qualifying)<\/strong> <\/p>\n Special mention Short Film Fiction<\/strong> Mejor Cortometraje Mexicano<\/strong> <\/p>\n Best International Long Documentary<\/strong> <\/p>\n Best International Short Documentary<\/strong> <\/p>\n Special Mention Short Documentary<\/strong> <\/p>\n Best Mexican Documentary<\/strong> <\/p>\n Best Experimental Short Film<\/strong> <\/p>\n Special Mention Experimental Short Film<\/strong> <\/p>\n Best Short Animation (Oscar Qualifying)<\/strong> <\/p>\n Special Mention Short Animation<\/strong> <\/p>\n Special Mention Short Animation<\/strong> <\/p>\n WIF Award for Best Short Fiction by a Female Director<\/strong> <\/p>\n SIGNIS Award to Best International Short Fiction<\/strong> <\/p>\n Special Mention SIGNIS<\/strong> <\/p>\n Press Award<\/strong> <\/p>\n Best Guanajuato Film<\/strong> <\/p>\n <\/p>\n Jury Award<\/strong> <\/p>\n Audience Award<\/strong> <\/p>\n <\/p>\n Jury Award <\/strong> <\/p>\n Special Jury Mention<\/strong> <\/p>\n Premio del P\u00fablico<\/strong> <\/p>\n <\/p>\n Feature Screenplay Awards<\/strong> <\/p>\n Short Screenplay Award<\/strong> <\/p>\n <\/p>\n 1st Place<\/strong> <\/p>\n 2nd Place<\/strong> <\/p>\n 3rd Place<\/strong> <\/p>","protected":false},"excerpt":{"rendered":" Best International debut Feature BOY by Hong jin Roh Special Jury Mention International debut Feature SUBMARINE by Richard Atoyade for its great sense of humor and innovative visual style. Special Mention for Outstanding Performance Jessica Schwarz in THE DAY I WASNT BORN by Florian Cossen Best Mexican debut Feature BETWEEN NIGHT AND DAY by Bernardo […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-1714","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/pages\/1714","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/comments?post=1714"}],"version-history":[{"count":0,"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/pages\/1714\/revisions"}],"wp:attachment":[{"href":"https:\/\/giff.mx\/en\/wp-json\/wp\/v2\/media?parent=1714"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nBOY<\/em> by Hong jin Roh<\/p>\n
\nSUBMARINE<\/em> by Richard Atoyade
\nfor its great sense of humor and innovative visual style.<\/p>\n
\nJessica Schwarz in THE DAY I WASNT BORN <\/em> by Florian Cossen<\/p>\n
\nBETWEEN NIGHT AND DAY<\/em> by Bernardo Arrellano
\nThe director crafts a story of a lonely man, entrapped in his own world, misunderstood by so-called loved ones who do not want anything to do with him. Yet, through subtle and quiet moments, the director masterfully creates an emotional resonance with our main character and the audience, capturing the essence of human relationships with a lyrical and beautiful ending that is both magical and affectionate. The Jury is honored to give the award to this film.<\/p>\n
\nBATTLESHIP<\/em> by \u00c1lvaro Curiel
\nIn recognition to the outstanding ensemble cast, led by a bravura and humanistic performance by Silverio Palacios.<\/p>\n
\nSof\u00eda Espinosa for VETE MAS LEJOS ALICIA<\/em> by Elisa Miller
\nThe Jury would like to recognize a debut performance from an actress who beautifully captures the angst and hope in the transition into adulthood. The Jury is honored to present the Newcomer Acting Award to Sofia Espinosa in VETE MAS LEJOS ALICIA. El Jurado reconoce los valores de originalidad y audacia del director y la creatividad y solidez de la realizaci\u00f3n.<\/p>\n
\nTSUYAKO<\/em> by Mitsuyo Miyazaki
\nA fascinating film that touched all of us very deeply. Through its many layers and textures, the short film makes exquisite use of the great Japanese Cinematic tradition from masters such as Ozu and Mizoguchi. We chose Tsuyako by unanimous decision for its elegant cinematography, profound acting and mostly its provocative subject matter. Mitsuyo Miyazaki is a director to watch for.<\/p>\n
\nDaugther of the Man<\/em> by Manuel Schapira<\/p>\n
\nESTE MUNDO<\/em> by Fernanda Valabyz
\nAfter tough deliberations, we chose this film for its powerful theme and execution.<\/p>\n
\nBOMBAY BEACH<\/em> by Alma Ha\u2019rel
\nThere are films so visually poetic that its impossible to contain them within the awkward structures of their written world. We the jury would like to congratulate Alma Ha\u2019rel for her extraordinary brave and subtle portrayal of a community that lives and loves in a forgotten corner of the Californian desert. The breathtaking and heartbreaking film that is Bombay Beach.<\/p>\n
\nCharcoal Burners<\/em> by Piotr Zotorowicz<\/p>\n
\nTOMATL<\/em> by Luis Briseno<\/p>\n
\nMORIR by PIE<\/em> by Jacaranda Corea
\nWe the jury had very difficult deliberation because the film s have been so moving and emotional but in the end we give the prize of Best Mexican Documentary film film.<\/p>\n
\nDREXCIYA<\/em> by Akosua Adoma Owusu
\nA portrait of the abandoned swimming pool of a ruined hotel in Ghana, the visuals document the uses people put to failed capitalist fantasies while also exploring the relation of the cinematic and how consciousness \u201cintends\u201d its object. The title\u2019s allusion to the myth of an underwater kingdom of the children thrown from slave ships creates a bond between the endurance of the Ghanian people and counterhistorical resistance against the legacy of slavery.<\/p>\n
\n1987-1993<\/em> by Marius Dybwad Brandrud
\nExploration of the role of photography and memory within the particular environment of Scandinavian winters. Divides viewer\u2019s attention to the image and the story of the image\u2019s genesis.<\/p>\n
\nThe External World<\/em> by David O\u2019Reilly
\nEnacts the poetics of irony as a self-consuming artifact. Evoking Edward Gorey, David Lynch, and Tamala punk cat from outer space, the film\u2019s lyrical cynicism weaves its resonances with minor chords to offer a post-modern elegy quivering through the society of the spectacle.<\/p>\n
\nA Lost and Found Box of Human Sensation<\/em> by Martin Wallner, Stefan Leuchtenberg
\nA Lost and Found Box of Human Sensation chronicles a young man\u2019s mourning the death of his father. It opens and extends the capacity of animation\u2019s technical poetics to express a new range of emotions and their interfaces with the body, memory, and the psychosocial complex of contemporary life.<\/p>\n
\nThe Last Norwegian Troll<\/em> by Pjotr Sapegin
\nRevisits a story known by children the world over, yet returns it to is Norwegian roots and ends the tradition as a legacy founding the psyche of Norwegian identity.<\/p>\n
\nSometime Later<\/em> by Moon Blaisse
\nA fascinating exploration of human characters. This film was selected for its unique direction by a woman: Moon Blaisse. We look forward to seeing her future works.<\/p>\n
\nSometime Later <\/em>by Moon Blaisse
\nWith very creative language, this short film is a call to attention about the risks of globalization that we are living and the urgency of recognizing our responsible connections.<\/p>\n
\nCasus Belli<\/em> by Yorgos Zois
\nWith very creative language, this short film is a call to attention about the risks of globalization that we are living and the urgency of recognizing our responsible connections.<\/p>\n
\nThe Cinema Hold Up<\/em> by Iria Gomez Concheiro<\/p>\n
\nY Volver\u00e9<\/em> by Edgar Nito
\nFor its efficient use of the cinematographic languages of both the fantastic and horror film genres, among others, and a solid construction of the story, with notable influence of Korean cinema.<\/p>\n
\nJAIBOL FILMS<\/em><\/p>\n
\nFILMADORA NACIONAL<\/em><\/p>\n
\nPadre Nuestro<\/em> by ITESM Campus Quer\u00e9taro<\/p>\n
\nLA FUNCI\u00d3N PERFECTA<\/em> by UAD Guadalajara<\/p>\n
\nEL ZAFIRO ETERNO<\/em> by UCEM San Luis Potos\u00ed<\/p>\n
\nT\u00e9 by Azar<\/em> by Raquel Barreda<\/p>\n
\nEl hombre bueno<\/em> by Jos\u00e9 Luis Sol\u00eds<\/p>\n
\nA Flor by Piel<\/em> by Christian Najera, Universidad Iberoamericana de Le\u00f3n.<\/p>\n
\nDe Rieles y Durmientes<\/em> by Diana Renter\u00eda, Universidad Lasallista Benavente Campus Celaya.<\/p>\n
\nNAT HA-HI: A la Sombra del Mezquite<\/em> by Carlos Gasca, Universidad Latina de M\u00e9xico Campus Celaya.<\/p>\n
\nBOY<\/em> by Hong jin Roh<\/p>\n
\nSUBMARINE<\/em> by Richard Atoyade
\nfor its great sense of humor and innovative visual style.<\/p>\n
\nJessica Schwarz in THE DAY I WASNT BORN <\/em> by Florian Cossen<\/p>\n
\nBETWEEN NIGHT AND DAY<\/em> by Bernardo Arrellano
\nThe director crafts a story of a lonely man, entrapped in his own world, misunderstood by so-called loved ones who do not want anything to do with him. Yet, through subtle and quiet moments, the director masterfully creates an emotional resonance with our main character and the audience, capturing the essence of human relationships with a lyrical and beautiful ending that is both magical and affectionate. The Jury is honored to give the award to this film.<\/p>\n
\nBATTLESHIP<\/em> by \u00c1lvaro Curiel
\nIn recognition to the outstanding ensemble cast, led by a bravura and humanistic performance by Silverio Palacios.<\/p>\n
\nSof\u00eda Espinosa for VETE MAS LEJOS ALICIA<\/em> by Elisa Miller
\nThe Jury would like to recognize a debut performance from an actress who beautifully captures the angst and hope in the transition into adulthood. The Jury is honored to present the Newcomer Acting Award to Sofia Espinosa in VETE MAS LEJOS ALICIA. El Jurado reconoce los valores de originalidad y audacia del director y la creatividad y solidez de la realizaci\u00f3n.<\/p>\n
\nTSUYAKO<\/em> by Mitsuyo Miyazaki
\nA fascinating film that touched all of us very deeply. Through its many layers and textures, the short film makes exquisite use of the great Japanese Cinematic tradition from masters such as Ozu and Mizoguchi. We chose Tsuyako by unanimous decision for its elegant cinematography, profound acting and mostly its provocative subject matter. Mitsuyo Miyazaki is a director to watch for.<\/p>\n
\nDaugther of the Man<\/em> by Manuel Schapira<\/p>\n
\nESTE MUNDO<\/em> by Fernanda Valabyz
\nAfter tough deliberations, we chose this film for its powerful theme and execution.<\/p>\n
\nBOMBAY BEACH<\/em> by Alma Ha\u2019rel
\nThere are films so visually poetic that its impossible to contain them within the awkward structures of their written world. We the jury would like to congratulate Alma Ha\u2019rel for her extraordinary brave and subtle portrayal of a community that lives and loves in a forgotten corner of the Californian desert. The breathtaking and heartbreaking film that is Bombay Beach.<\/p>\n
\nCharcoal Burners<\/em> by Piotr Zotorowicz<\/p>\n
\nTOMATL<\/em> by Luis Briseno<\/p>\n
\nMORIR by PIE<\/em> by Jacaranda Corea
\nWe the jury had very difficult deliberation because the film s have been so moving and emotional but in the end we give the prize of Best Mexican Documentary film film.<\/p>\n
\nDREXCIYA<\/em> by Akosua Adoma Owusu
\nA portrait of the abandoned swimming pool of a ruined hotel in Ghana, the visuals document the uses people put to failed capitalist fantasies while also exploring the relation of the cinematic and how consciousness \u201cintends\u201d its object. The title\u2019s allusion to the myth of an underwater kingdom of the children thrown from slave ships creates a bond between the endurance of the Ghanian people and counterhistorical resistance against the legacy of slavery.<\/p>\n
\n1987-1993<\/em> by Marius Dybwad Brandrud
\nExploration of the role of photography and memory within the particular environment of Scandinavian winters. Divides viewer\u2019s attention to the image and the story of the image\u2019s genesis.<\/p>\n
\nThe External World<\/em> by David O\u2019Reilly
\nEnacts the poetics of irony as a self-consuming artifact. Evoking Edward Gorey, David Lynch, and Tamala punk cat from outer space, the film\u2019s lyrical cynicism weaves its resonances with minor chords to offer a post-modern elegy quivering through the society of the spectacle.<\/p>\n
\nA Lost and Found Box of Human Sensation<\/em> by Martin Wallner, Stefan Leuchtenberg
\nA Lost and Found Box of Human Sensation chronicles a young man\u2019s mourning the death of his father. It opens and extends the capacity of animation\u2019s technical poetics to express a new range of emotions and their interfaces with the body, memory, and the psychosocial complex of contemporary life.<\/p>\n
\nThe Last Norwegian Troll<\/em> by Pjotr Sapegin
\nRevisits a story known by children the world over, yet returns it to is Norwegian roots and ends the tradition as a legacy founding the psyche of Norwegian identity.<\/p>\n
\nSometime Later<\/em> by Moon Blaisse
\nA fascinating exploration of human characters. This film was selected for its unique direction by a woman: Moon Blaisse. We look forward to seeing her future works.<\/p>\n
\nSometime Later <\/em>by Moon Blaisse
\nWith very creative language, this short film is a call to attention about the risks of globalization that we are living and the urgency of recognizing our responsible connections.<\/p>\n
\nCasus Belli<\/em> by Yorgos Zois
\nWith very creative language, this short film is a call to attention about the risks of globalization that we are living and the urgency of recognizing our responsible connections.<\/p>\n
\nThe Cinema Hold Up<\/em> by Iria Gomez Concheiro<\/p>\n
\nY Volver\u00e9<\/em> by Edgar Nito
\nFor its efficient use of the cinematographic languages of both the fantastic and horror film genres, among others, and a solid construction of the story, with notable influence of Korean cinema.<\/p>\n
\nJAIBOL FILMS<\/em><\/p>\n
\nFILMADORA NACIONAL<\/em><\/p>\n
\nPadre Nuestro<\/em> by ITESM Campus Quer\u00e9taro<\/p>\n
\nLA FUNCI\u00d3N PERFECTA<\/em> by UAD Guadalajara<\/p>\n
\nEL ZAFIRO ETERNO<\/em> by UCEM San Luis Potos\u00ed<\/p>\n
\nT\u00e9 by Azar<\/em> by Raquel Barreda<\/p>\n
\nEl hombre bueno<\/em> by Jos\u00e9 Luis Sol\u00eds<\/p>\n
\nA Flor by Piel<\/em> by Christian Najera, Universidad Iberoamericana de Le\u00f3n.<\/p>\n
\nDe Rieles y Durmientes<\/em> by Diana Renter\u00eda, Universidad Lasallista Benavente Campus Celaya.<\/p>\n
\nNAT HA-HI: A la Sombra del Mezquite<\/em> by Carlos Gasca, Universidad Latina de M\u00e9xico Campus Celaya.<\/p>\n